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Under the Udala Trees, by Chinelo Okparanta

Ebook Under the Udala Trees, by Chinelo Okparanta

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Under the Udala Trees

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Product details

Paperback: 336 pages

Publisher: Mariner Books; Reprint edition (September 20, 2016)

Language: English

ISBN-10: 0544811798

ISBN-13: 978-0544811799

Product Dimensions:

5.3 x 0.8 x 8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

110 customer reviews

Amazon Best Sellers Rank:

#92,206 in Books (See Top 100 in Books)

I don't recall how I came across this book, but it was on my Kindle and I had just completed reading another novel and so started this one. In general I have enjoyed Nigerian authors and this book did not disappoint. The story takes place in the late 1960's and I would call it a coming of age\personal discovery story. The pace was good. The characters were nicely developed, the background of the times was laid out well. The social struggle with change during the time matches some of the same level of conflict you see in the US today. I suppose the changes are universal across many nations and societies. I would recommend this book to Seniors in High School, College level and book clubs as a good read where one can discuss the impact of social change, religion and its changing role and the general struggle of people to just fully be themselves without fear.I also felt that the author did an excellent job humanizing the characters. They were real on so m any levels and their behavior, while at some times disappointing it was expected. Social change and how we look at and treat people is a slow process.

Under the Udala Trees tracks the life and loves of Ijeoma, a Nigerian girl who discovers at a young age that she loves women and not men. Beginning with her experience of the war between Biafra and the Nigerian government, we follow Ijeoma when she is sent to another village to be a housegirl, where she meets her first love. As she journeys through a life of heartbreak and secrecy, whether at an all-girls boarding school or at an underground lesbian dance-club, we are exposed to the rawness of her mother’s attempt to cleanse her soul, the joy in her forbidden loves, and her fear and anguish when the unbending laws of the local culture tarnish her desires.“Happiness was what she called it. But I knew that happiness was a word like madness, like sickness, like confusion, like loss, like death. Even like beautiful or pure or angelic or God. Happiness was a word that represented some deeper, unexplainable, heavy idea, the kind of idea that goes back and forth between two different worlds.”Okparanta is one of those rare writers who can truly harness the power of simplicity to let the potency of the narrative shine through. Modest, unhurried language and a plot that meanders without dramatic twists and turns leave readers of Under the Udala Trees in a rare and fortunate place—one in which there is nothing left to consider but the bare truths of having a self that is forbidden.The simplicity of the prose makes it impossible to hide from the power and strength of the narrative, and although the plot is not necessarily unexpected, I found myself carried away in the treacherous and secretive lives of the Nigerian lesbian community. The book features wonderfully relatable female leads and reveals the power that a community can hold over those within it. We are shown how shame is engendered as thoroughly as a sense of belonging, and how this tension creates immense uncertainty for women (and men) who don’t quite fit the mold.Despite the masterful austere essence of the prose, sometimes I found myself wishing that Okparanta would go deeper. The simplicity made sense when the story was being told from the point of view of a child, but as Ijeoma aged the narrative style did not. For such an incredibly emotional and complex issue, it was disappointing to sense that there was so much being held back from the story. While I appreciate authors who allow the reader to complicate and intuit the deeper meaning of things, I’m not confident that this was Okparanta’s intent, and therefore find myself wishing that she had tackled these issues with a bit more grit.Given the fact that in 2014 all homosexual relationships became illegal in Nigeria, subject to at least 14 years in prison, I think this is an important book to read, and one that probably needed to be told years or decades ago. It’s easy to read but not easy to stomach—elements which I think make it a good narrative to make a wide range of people confront an issue they may know nothing about.Elise Hadden, Under the Heather Books (www.undertheheatherbooks.com)

Chinelo Okparanta’s Under the Udala Trees tells the story of Ijeoma with the girl’s voice and perspective. We meet her at age 11 in the midst of Nigeria’s civil war. Her father soon dead, Ijeoma tells us about war from a civilian point of view, a female point of view, the point of view of a girl who sees headless bodies along the road as common as flowers or mud. Privation and danger are everywhere, but when her mother sends her away to “safety,” she falls in love with another girl, and this forbidden love puts her in as much danger as the war.As the novel develops, we are swept into a world of myth and legend, a world of religion, where love is narrowly defined and verses used to punish and thwart, not inspire or reward, a world of rapid change, both personal and nation-wide. Ijeoma must learn to protect her love, hide it, and understand it without guidance from elders or scripture. Not only is this a war story and a love story, it is a coming of age story, the strands of which are woven tightly and the colors blended to form complex images of the deepest human complexity.From student to store clerk to running wild to marriage and finally to setting off on her own dangerous but loving path, Ijeoma becomes a brave woman, as free as she can be, and a loving soul. The novel does all this with a realistic style and details tinged with the magic of folk tales.The novel reminds me of Richard Wright’s masterful autobiography, Black Boy, insightful in society’s violent injustices, brave in its truth and love of life, and daring in its revelations.

"God is nothing but an artist, and his world his canvas. And I reason that if the Old and New Testaments are any indication, then change is a major part of His vision for the world. The Bible itself is an endorsement of change. Even biblical covenants change: In the New Testament, no longer the need for animal sacrifices. Change. No longer the covenant of law, but rather the covenant of grace. Change. A focus on all mankind rather than a focus on the Jews. Change. So many other changes of a person were the list-making type."Chinelo has courageously crafted an African story seldom told because taboo has demonized the very thought of this subject matter. I probably wouldn’t have read this book if I had known of the subject matter. But I’m glad it did. Not because it makes be any less conservative than I am on LGBTQ matters, but it does bring to the fore the stalemate between governments that feel compelled to secure their heavily conservative religious voter bases, notwithstanding the first paragraph of this review; and a next voter generation whose conformation to LGBTQness is night and day compared to generations prior.

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